Artykuły w gazetach i magazynach

1970 The World of Tadanori Yokoo, Kobe Shinbun, Kobe

1971 Prints of German Expressionism, Kikan Hanga no. 11, Bijutsu Shuppansha, Tokyo

1972 Woodcuts of Albrecht Durer, Mizue no. 808, Bijutsu Shuppansha, Tokyo
Durer: Die Apokalypse, Nikkei Shinbun, Osaka Printers, Uchiyama, Sato, Print Art no. 6, Print Art Center, T okyo
Ukiyoe and My Works, Print Art no. 6, Print Art Center, Tokyo
4th Krakow International Print Biennial, GO no 1, GQ Shuppansha, Tokyo

1973 Contemporary Poster Art in Poland: Centering on Starobeiski, Design Ouarterly no. 1, Bijutsu Shuppansha, Tokyo
Ukiyoe in the Meiji-era: Proof of the Existance of a School of Decadance, Mizue no. 824, Bijutsu Shuppansha, Tokyo
Retrospective of Prints from Spain, Kobe Shinbun, Kob
Zodiac, Print Art no. 10, Print Art Center, Tokyo

1974 Poster Art in San Francisco, Design no. 6, Bijutsu Shuppansha, Tokyo
CCAC World Print Competition, Mizue no. 828, Bijutsu Shuppansha, Tokyo
Krakow International Print Biennial, Mizue no. 835, Bijutsu Shuppansha, Tokyo

1975 Arts and Prints in America, Kyoto Shinbun, Kyoto "Bradford International Print Biennial", Bijutsu Techo Vol. 27, no. 389, Bijutsu Shuppansha, Tokyo "Print Workshops in the U.S.", Hanga Geijutsu no. 9, Abe Publishing Ltd, Tokyo
AMERICA, Portfolio, Shirota Gallery, Tokyo
Akira Kurosaki 1970-1974, Design Ouarterly no.8, Bijutu Shuppansha, Tokyo

1976 California Label Art, Design no. 12, Bijutsu Shuppansha, Tokyo
The Age of Prints and Workshops. Yomiuri Shinbun, Tokyo
Contemporary Poster Arts in Poland, Nikkei Shinbun, Osaka
German Realism: The Prints of Kathe Kollwitz, Nikkei Shinbun, Osaka
John Baptist Jackson: History of Color Woodcut Prints in Europe, Hanga Geijutsu No. 13-25, Abe Publishing Ltd, Tokyo

1977 Edward Munch, Av. No. 5, New Art Seibu, Tokyo Italian Old Master's Prints, MIRU no. 120, The National Museum of Modern Art, Kyoto
Between the Art of Print and Video, Bijutsu Techo no. 417, Bijutsu Shuppansha, Tokyo
Italian Renaissance Prints, Yomiuri Shinbun, Osaka
Prints of Hokusai: Overflowing Life Power, Kyoto Shinbun, Kyoto
Prints of Munch: Under the Midnight Sun, Nikkei Shinbun, Osaka
Prints of Munch: My Favorite Prints, Kobe Shinbun, Kobe

1978 Durer's Illusion, Drawings in the World 7, Kodansha International, Tokyo

1979 Ryusei Kishida and his Eyes, MIRU no. 145, The National Museum of Modern Art, Kyoto
Young Craftmen in the U.s. Work Shop '79, symposium catalogue, Saga Art College, Kyoto "VTR Media in the Educational System, Bijutsu Techo Vol. 31, no. 453, Bijutsu Shuppansha, Tokyo Experimental Printmaking, Bijutsu Techo Vol. 31, no. 457, Bijutsu Shuppansha, Tokyo

1980 New Trends of Video Art, PILOT! no. 35, Hyogo Prefectural Museum of Modern Art, Kobe

1981 Re-discovering Maurice Doni, MIRU no. 174, The National Museum of Modern Art, Kyoto Exhibition of Chu Asai the Educator, Kyoto Shinbun, Kyoto

1982 Echizen Hosho Paper , Hanga Geijutsu no. 37, Abe Publishing Ltd, Tokyo
Mucha's GISMONDA from the Exhibition of the National Museum of Prague, Mainichi Shinbun, Osaka

1983 New American Paperworks, MIRU no. 188, The National Museum of Modern Art, Kyoto

1984 Concepts of Prints and their Application, Catalogue of the Exhibition, The Museum of Modern Art, Urawa, Saitama
Revival of the Woodcut Print, Hanga Kan no. 5, Kawai Shobo, Tokyo

1986 Problems in the History of Printing Technology, Kyo furuhonya ourai no. 32, Kyoto Kosho Kenkyukai
Paper Art in America, Washi Dictionary: Paper Culture 1, Asahi Shinbun, Tokyo

1986-89 The World of Woodcut Print Techniques, Hanga Geijutsu no. 55-66, Abe Publishing Ltd, Tokyo

1998 Jurying the Krakow Internaitional Print Biennial, Yomiuri Shinbun Evening News, Osaka, 7.12

1989 The Art of Papermaking and Tourism (Report on attending the International Paper Conference in Denmark), Yomiuri Shinbun
Evening News, Osaka 8.24
Technique and Expression: Tracing the Legacy of Ten Prints, 1-10, Nikkei Shinbun, Tokyo Nov 8 - 23 Boston Remembered: Exhibition of Works from the Boston Museum of Fine Art, Kyoto Shinbun, Kyoto 6.7

1991 Personal Interpretation of Ukiyo-e Nishiki-e Multicolored Prints Reflecting the Lives of the Commoners, Kyoto Shinbun Evening News, Kyoto, 4.20

1992 The Appeal of the World of Symbols: Special Edition of Print Woodcut Prlntsc-, DesignScene vol. 9, no. 54, Bijutsu Shuppansha, Tokyo

1993 Master works 89 Brueghel: The Large Fish Devours the Smali Fish, Kyoto Shinbun, Kyoto, May 15 Column: Sound of the Tide, Voice of the Wind, Kabe Shinbun, Kobe, Jul 26 - Dec 28
Paper Creativity: Japanese Folding Tools", Tanko no. 11: Washi, Paper as an Expression of Japanese
Traditional Beauty, Tankosha, Kyoto

1995 One's Own Work: no. 4, Works from the Collection of the Kyoto Museum of Modern Art, Domoto Insho Memorial Art Museum, Kyoto Washi Ideas: a Beautiful Material to Inspire Creativity, TsuchilKami: Human Renaissance Series: Materials no. 2, Human Renaissance Research Center, Tokyo

1998 Mourning Inoue Toyohisa, Annais of the Japan Print Association no.115, Tokyo
Echizen Washi and Myself, Washi Bulletin No. 15, Special Issue on Echizen Washi, National Association for Handmade Paper,
Keijyu-sha, Toyama
Akira Kurosaki: Lectures on Printmaking History, Hanga Geijutsu no.l01 - 114, Abe Publishing Ltd, Tokyo

1999 About the Gaia Series, Escallier en Spirale no.47, Gallerie Miyawaki, Kyoto
Edvard Munch, Miru 379, National Musum of Modern Art, Kyoto
Multiple Production in Printmaking, Monthly Journal no. 86, The National Museum of Modern Art, Osaka

2001 Cecilia's Right Hand, Dedicated to DaVinci's Lady with an Ermine, Kyoto Shinbun, Kyoto, Sep.15 The Year 1965, Escallier en Spirale no. 51, Gallery Miyawaki, Kyoto

2002 Report from Abroad Edinburgh and Sofia, Two Exhibitions of Japanese Prints Abroad, Hanga Geijutsu no. 115, Abe Publishing Ltd, Tokyo

2003 The Print Scene Abroad Contemporary Chinese Prints, Hanga Geijutsu no. 119, Abe Publishing Ltd, Tokyo
Mosaic Muses, Raku vol.30, Gallery Raku in the Kyoto University of Art and Design, Kyoto

2004 Ten Pioneers of Sosaku Hanga 1-10, Nikkei Shinbun, T okyo, Aug 23 - Sep 7
My Position on Color: The Ethos and Pathos of Co or  Escallier en Spirale no. 65, Gallerie Miyawaki, Kyoto
The Symbolic World of Allegory and Icons Contemporary Bulgarian Prints, Hanga Geijutsu no. 123, Abe Publishing Ltd, Tokyo

2005 Akira Kurosaki: Series Continuation of Lectures on Printmaking History (20th Century), Hanga Geijutsu no. 127, Abe Publishing Ltd, Tokyo

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